Divine Rhythm News>
Divine Rhythm News

February 14, 2008

*DRP ARTISTS* 
NEWS UPDATES & EVENTS 
----------------------------------------------------- 
 
TOCA'S RED CARNIVAL -- CELEBRATE BRAZILIAN CARNAVAL AT 
A FUNDRAISER 
FOR JOJO SMITH! 
 
 
Featuring performances by Jo Jo Smith and tap dancer Jason 
Samuels Smith and more surprise special guests! 
 
 
Friday February 22 
 
Djs. Tumi & Chocolate 
 
Fund Raiser for JoJo Smith 
 
Please Come Dressed in Red! 
 
 
Located at: 
 
 
M1-5  
 
 
 
52 Walker St. - Tribeca 
 
10:00 PM-4:00 AM 
 
$10 Cover 
 
21 and over w/ ID 
==================================== 
 
Don't miss: INDIA JAZZ SUITES on tour... 
Featuring Pandit Chitresh Das 
& Jason Samuels Smith 
 
Friday, February 15th, 2008 at 8 PM 
Goodhart Hall, Bryn Mawr College, Pennsylvania 
 
Winner of a prestigious 2007 Isadora Duncan Dance 
Award, India Jazz 
Suites brings together Pandit Chitesh Das, a master of 
the Indian 
dance form kathak, and Emmy-winner Jason Samuels Smith 
(Bring in 'da 
Noise, Bring in 'da Funk) for a groundbreaking 
collaboration exploring 
the movement and rhythms of their respective dance 
forms. The 
performance will be accompanied by North Indian 
classical and jazz 
music ensembles. 
 
BRYN MAWR COLLEGE PERFORMING ARTS SERIES PRESENTS 
 
India Jazz Suites 
 
"Alone they are captivating. Together, they're magic." 
-Allen Ulrich, Voice of Dance 
 
A pre-show talk on Kathak and the expanding boundaries 
of traditional 
Indian dance will be presented at 7:15 pm by Dr. 
Pallabi Chakravorty, 
a practitioner of kathak and professor of anthropology 
and dance at 
Swarthmore College. 
 
Friday, February 15, 2008 at 8:00 PM 
Goodhart Hall, Bryn Mawr College 
101 North Merion Avenue, Bryn Mawr, PA 
 
Tickets: 
$18 general 
$15 senior 
$10 student 
$5 children 12 & under 
 
For more information on credit card orders: 
 
Call:610-527-5210 
Email: hstuddy@brynmawr.edu 
Or visit: brynmawr.edu/calendar/performing_arts.shtml 
This event is free for Tri-College students, faculty, & 
staff (Bryn 
Mawr, Haverford, Swarthmore) 
--------------------------------- 
 
India Jazz Suites is coming to FLORIDA!!! 
 
BROWARD CENTER FOR THE PERFORMING ARTS 
 
Box Office: (954) 462-0222 
 
ASSOCIATION OF PERFORMING ARTS OF INDIA 
 
Pt Chitresh Das & Jason Samuels Smith 
 
Date(s): Sunday, 2/24/2008 
Tickets: $22.00 - $75.00 
Venue: Amaturo Theater 
 
***For more information, visit:  
 
http://www.browardcenter.org/events/apaijazzsuites.aspx 
 
Pt. Chitresh Das & Jason Samuels Smith on YouTube.com 
 
Two distinct worlds of dance collide when India's 
traditional dance sensation Pandit Chitresh Das takes the 
stage with American tap phenomenon Jason Samuels Smith. The 
two met backstage in 2004 at the acclaimed American Dance 
Festival, and have since made international dance history 
as they share the spotlight and showcase their rapid-fire 
moves. Displaying uncanny similarities in footwork, rhythms 
and movement, the 59 year old Pandit Chitresh Das from 
Calcutta first performs his masterful Kathak dance, 
followed by the 23 year-old New York tap master, Smith. Act 
two highlights the dancers and musicians communicating 
across disciplines in an explosive feat of improvisation 
using rhythm as the common language. Don't miss this 
dynamic duo as the fastest feet in the East and West wow 
the audience. 
 
 
====================================  
 
THE AFRICAN & AFRICAN AMERICAN PERFORMING ARTS 
COALITION 
K*STAR* PRODUCTIONS IN ASSOCIATION WITH ODC THEATER 
PRESENT 
 
The Black Choreographers Festival: 
Here & Now 
2008 
 
***SPECIAL TAP MASTER CLASSES ON SAT & SUN - scroll down 
for details*** 
 
February 15-17,2008 
Friday & Saturday - 8:00 pm 
Sunday - 7:00 pm 
 
Project Artaud Theater 
450 Florida Street 
San Francisco, CA 
 
Featuring 
Friday & 
Elvia Marta 
Reginald Savage/Savage Jazz Dance Company 
Robert Henry Johnson 
Kendra Kimbrough Barnes/KKDE 
Dormeshia Sumbry-Edwards, Chloe Arnold, and Josette 
Wiggan 
Paco Gomes/Paco Gomes & Dancers 
Tania Santiago/Aguas Da Bahia 
 
Saturday 
Elvia Marta 
Reginald Savage/Savage Jazz Dance Company 
Robert Henry Johnson 
Kendra Kimbrough Barnes/KKDE 
Jason Samuels Smith w/ Dormeshia Sumbry-Edwards, Chloe 
Arnold, and Josette Wiggan 
Paco Gomes/Paco Gomes & Dancers 
Tania Santiago/Aguas Da Bahia 
Zak Diouf & Naomi Washington/Diamano Coura 
 
Sunday 
Colette Eloi/Elwah Dance Company* 
Ramon Ramos Alayo/Alayo Dance Company* 
Amara Tabor Smith/Deep Waters Dance Theater* 
Jason Samuels Smith w/ Dormeshia Sumbry-Edwards, Chloe 
Arnold, and Josette Wiggan 
Tania Santiago/Aguas Da Bahia 
Zak Diouf & Naomi Washington/Diamano Coura 
 
Pre-concert music: Destiny "Harpist from the Hood" 
Post-performance curtain talk – Sunday, February 17 
 
*BCF's Emerging Artist Mentoring Program 
Festival programming subject to change 
 
BCF Family Matinee - Sunday, February 17, 3pm 
Featuring Pre-Professional Youth Companies and 
Choreographers 
sponsored by the BCF 
Artist Mentoring Program 
 
Elvia Marta/SF SOTA 
Latanya d.Tigner/Dimensions Extensions Performance 
Ensemble 
Joanna Haigood/Zaccho Youth Group 
Colette Eloi/Elwah Dance Company* 
Ramon Ramos Alayo/Alayo Dance Company* 
Amara Tabor Smith/Deep Waters Dance Theater* 
 
Festival Tickets 
$20 general admission 
$15 students/seniors/advanced tickets 
$10 family matinee/children 12 & under 
To order tickets call 415-863-9834 
To order online: 
 
 
Special discount for groups of 10 or more. 
For more information call: 510-801-4523 
 
Transportation and Parking: 
Project Artaud Theater, San Francisco 
BART - 16th Street Bart Station @ Mission, East on 16th 
(4 blocks) 
to Alabama. South on Alabama (2 blocks). 
MUNI - Lines 22 and 37 stop at 16th and Harrison. 
Line 27 has a stop at Bryant and 17th. 
Street parking is limited. 
Parking lot is located at 17th and Shotwell - $1.50 for 
parking. 
Free shuttle service provided from parking lot to 
Project Artaud Theater 
20min intervals, 6:00 – 7:40pm & 9:40 – 10:40pm, Fri & 
Sat. 
5:00 – 6:40pm & 9:00 – 10:00pm, Sun. 
 
BCF Special Events 
 
Benefit Reception for BCF 
hosted by the Festival Committee 
Saturday, February 16 6:30pm 
Catered by Jesso's Seafood Restaurant • Live music by 
Destiny 
Harpist from the Hood 
Benefit tickets include: a private reception with 
Festival 
choreographers, VIP reserved seating, a special BCF 
gift package. 
Tickets: $150 Reservations Required 
For reservations and information: 510.801.4523 or 
866.898.2722 
Event co-sponsored by: Jesso's Seafood Restaurant & 
Fit•Lite 
---------- 
 
MASTER CLASS SERIES 
Featured Event 
Tap Workshops with master teachers 
Dormeshia Sumbry-Edwards, Chloe Arnold and Jason Samuels 
Smith 
City Dance Center, 32 Otis St., San Francisco 
 
Saturday, February 16 
 
Dormeshia Sumbry-Edwards 
1 – 2:15pm Beg. – Int. Level class  
2:30 – 3:45pm Int. – Adv. Level Class 
 
 
Sunday, February 17 
 
Chloe Arnold 
1:30 –12 – 1:15pm Beg. – Int. Level class 
 
Jason Samuels Smith 
2:45pm Int. – Adv. Level Class 
 
Pre-register and receive special discount rates of $15 per 
class or the 4 class pkg. for $56 
Registration information: www.stepology.com 
Co-presented by STEPOLOGY 
Tap workshops are made possible through the generous 
support of the San Francisco Foundation 
 
Paco Gomes 
Afro Brazilian Contemporary Master Class 
Thursday, February 7 
4:30 - 6:00 
Laney College - Dance Studio D100, 900 Fallon, Oakland 
$10 general, Laney Students Free 
 
Traci Bartlow 
Hip Hop b-Love Master Class 
Unique blend of African, funk, Hip Hop and house dance 
Saturday, February 9  
11 – 12 :30pm 
Malonga Casquelourd Center for the Arts, 3rd Floor Studio C 
1428 Alice St, Oakland 
$10.00 general 
Co-Sponsored by Dimensions Dance Theater 
 
Tânia Santiago 
Traditional Afro-Brazilian Dance 
Saturday, February 23 
3:00 – 4:30pm 
Dance Mission Theater 
3316 – 24th Street, San Francsico 
$10.00 general 
Co-Sponsored by Dance Mission 
 
BCF Master Class Series: Featuring Festival Artists 
Classes are $10.00 for Adults & Youth (14 +) 
All levels welcome 
Full calendar of workshops and Master Classes (TBA) 
To register for classes: 510.801.4523 / kspkkde@comcast.net 
 
Next Wave Choreographers Showcase 
Friday & Saturday, February 22 & 23 – 8pm 
Dance Mission Theater 
3316 24th Street (corner Mission), S. F. 
Tickets: $15.00 general seating 
Reservations strongly recommended – 415.273.4633 
 
Featuring 
Friday, February 22 
Malia Connor/Malia Movement Company 
Victor Temple/New World Ballet 
Delina Brooks 
Luis Napoles / Napoles Ballet Theater 
Serenity Mlay 
Shelley Davis 
 
Saturday, February 23 
Raissa Simpson/PUSH Dance Company 
Victor Temple/New World Ballet 
Delina Brooks 
Serenity Mlay 
Traci Bartlow / Starchild Dance 
Kharyshi Wiginton / P.R.I.S.M. 
Luis Napoles / Napoles Ballet Theater 
Jamie Wright/The Dance/Wright Project 
 
Co-Sponsored by Dance Mission Theater 
 
Festival programming subject to change 
 
http://www.bcfhereandnow.com/SanFraninfo08.html 
==================================== 
 
Bid on a Private Tap Dance Lesson with Jason Samuels 
Smith, a private African Dance Lesson with Maud Arnold, and 
Mr. Wiggles DVDs for a GREAT CAUSE! 
 
43rd Street Kids Preschool is holding an online auction 
fundraiser 
with items that may be of interest to you and please 
spread the word! 
There's everything from Broadway show tickets to 
private tap dance lessons 
with Jason Samuels Smith! 
 
The bidding portion of the 2008 Annual Auction is now 
open. The 
online auction will run from February 8, 2008 to March 
8, 2008. All 
proceeds go to support 43rd Street Kids Preschool, a 
parent 
cooperative preschool in Hell's Kitchen, New York City. 
 
Auction items range from vacation getaways to donated 
items guaranteed 
to delight and surprise. Tell your friends, family, 
community, 
co-workers and anyone else you know. Let the bidding 
begin! 
 
All proceeds go to 43rd Street Kids Preschool. 
 
Tell your friends, family, community. And keep an eye 
on those great 
auction items in that growing catalog! 
 
For more information: 
 
http://www.cmarket.com/auction/AuctionHome.action;jsessionid=m8QTbWt0XjunXTEPwCWkgQ**.dataserver2-i?auctionId=58538927 
 
==================================== 
 
WOMEN IN TAP REVIEWS! 
 
DANCE REVIEW 
Certain women in 'Tap' raise the bar high 
 
A conference-capping show tends toward the tepid, but 
some artists 
step up and stand out. 
By Lewis Segal, Los Angeles Times Staff Writer 
February 11, 2008 
 
A short-haired woman tapping lightly, deftly to a 
spare, uninsistent 
arrangement of a vintage pop ballad while dressed in a 
shapeless top 
(usually glittery) over pants and flat shoes. That 
image, that 
performance mode, that costume linked soloist after 
soloist on the 
"Women in Tap" program in Glorya Kaufman Hall at UCLA 
on Saturday, the 
climax to an ambitious three-day conference primarily 
focused on 
celebrating the minimalist jazz-tap of the 1970s. 
 
Although the 14-dancer cavalcade included a few 
ambassadors from other 
tap traditions, many of the women on the program helped 
rescue tap 
from show-biz excesses 30 years ago, refining it as a 
concert-dance 
form -- indeed, soon arguably over-refining it until 
it offered 
little more than ultra-discreet revelations of 
personality and 
resolutely emotionless explorations of musical 
minutiae. Fascinatin' 
rhythm? More like a feeble pulse at UCLA, with a few 
glorious 
exceptions. 
 
Besides daring to wear something curvier than the 
prevailing unisex 
uniform, Deborah Mitchell moved brilliantly in a rich, 
unpredictable 
and disarmingly slinky style throughout her tribute to 
her tap mentor, 
Leslie "Bubba" Gaines. A born storyteller, Mitchell 
spoke feelingly of 
the transmission of tap from veteran to novice, 
generation after 
generation, and we all became her rapt pupils. 
 
In "My Mind's on Mingus," jazz-tap pioneer Brenda 
Bufalino brought a 
welcome dose of conceptual rigor to the proceedings as 
well as genuine 
jazz music rather than the elevator jazz chosen by too 
many of her 
colleagues. Yes, the four-member Jazz Tap Ensemble 
band, led by Jerry 
Kalaf, played the hand-me-down tunes skillfully. But 
without a 
powerful, individual musical impetus, jazz-tap never 
gets beyond the 
wan expertise that settled over Kaufman Hall like smog. 
 
All hail, then, to Michelle Dorrance for cutting 
through the murk by 
tapping without music in darkness and reminding us of 
what's essential 
in this art. And to Josette Wiggan for her 
take-no-prisoners attacks 
even at maximum complexity, a way of dancing informed 
by contemporary 
black culture. And to Chloe Arnold for her indomitably 
feisty tap 
adaptation of a Maya Angelou poem. 
 
Together, Dorrance, Wiggan and Arnold tore the place 
apart with their 
unscheduled trio, the only group work on the program 
apart from an 
uneventful full-cast finale. Based on challenge dancing 
-- the 
original format for tap virtuosity -- it featured them 
trading and 
ornamenting steps with joyous vehemence, inspired by 
their interplay 
and so much in the moment that they made all the 
planned routines look 
like relics of a wrong turn in tap history. 
 
Dormeshia Sumbry Edwards brought something of their 
passion and 
spontaneity to the final solo on the program, excelling 
in 
deliberately rough-edged footwork at maximum velocity: 
another tap 
artist who belongs to this new century whatever her 
debt to the past. 
 
For tap students, historians and other conference 
attendees, the rest 
of the concert supplied nostalgic pleasures that may 
have seemed more 
essential than they did to this outsider. Certainly, 
Miriam Nelson 
provided a sweet souvenir of pre-jazz-tap 
song-and-dance showmanship, 
and the supremely gracious Dianne Walker skated over 
"Autumn Leaves" 
with suave delicacy. 
 
Among the just-the-steps contingent, Linda Sohl-Ellson 
broke out of 
jazz-tap's musical formulas with her familiar, 
collaborative 
"Espiritu" while Terry Brock aimed for a perky profile 
with "Lady Be 
Good," Heather Cornell for something more laid-back 
through her 
interplay with pianist Doug Walter, and Barbara Duffy 
("Soldiers' 
Hymn") and Acia Gray " ("Twos and Threes") for stark, 
intricate 
display dancing. 
 
Conference organizer Lynn Dally also performed, singing 
(sort of) "You 
Gotta Move," though that imperative -- that need -- was 
hard to find 
in her solo and those of so many others on the program. 
 
lewis.segal@latimes.com 
 
 
http://www.latimes.com/entertainment/la-et-legends11feb11,1,6132961.story 
………………. 
 
Women in Tap Concert 
by Rachel Levin 
February 11, 2008 
UCLA's Glorya Kaufman Hall 
120 Westwood Plaza 
Los Angeles, CA 90095-1608 
310-825-3951 
Saturday night's Women in Tap Concert was the crowning 
performance of 
the first ever Women in Tap Conference, held this 
weekend at UCLA and 
organized by Lynn Dally, adjunct professor of World 
Arts and Cultures 
and one of the trailblazing women responsible for tap's 
resurgence 
starting in the 1970s. The conference aimed to 
recognize four 
generations of women from tap's 100 year history 
and—through panel 
discussions, documentaries, and presentations—tell the 
stories of 
female dancers previously left out of the history 
books. 
 
The performance featured solos by fourteen of tap's 
most renowned 
women, a triumphant display given the struggles women 
faced in being 
taken seriously as soloists in a historically male 
field. Chloe 
Arnold's piece captured this spirit perfectly. She 
adapted Maya 
Angelou's poem "Phenomenal Woman" to a spoken word/tap 
number. Echoing 
the sentiment that the women who came before her fought 
for "the right 
to choose how I step on the floor," Arnold switched 
from heels to 
flats halfway through the piece. 
 
Deborah Mitchell also gave a nod to her tap elders with 
a piece that 
reenacted tap lessons with her mentor Bubba Gaines of 
the Copasetics. 
Brenda Bufalino paid homage to her musical muse Charles 
Mingus in a 
tap-meets-beat-poetry performance set to "My Mind's on 
Mingus." Tap 
legend Miriam Nelson, who had an expansive career 
tapping in and 
choreographing for film, brought an old Hollywood "let 
me entertain 
you" whimsy to her performance of "Fascinatin' Rhythm." 
 
Aside from these direct references to the historical, 
the show 
demonstrated the enormous range of stylistic and 
aesthetic choices 
available to women now that they're accepted on equal 
footing with men 
in the field. Acia Gray's ultra smooth and muscular 
styling contrasted 
with the spunky spot-on turns of Terry Brock. Barbara 
Duffy's fierce 
footwork was juxtaposed to Lynn Dally's hymn-like 
reverie. Heather 
Cornell's earthy duet with the piano felt worlds away 
from Linda 
Sohl's experimental duet with husband Monti Ellison's 
berimbau, a 
one-string Brazilian percussion instrument. Dormeshia 
Sumbry Edwards 
seemed to weave multiple styles together, at once 
smooth and staccato, 
aggressive and demure. 
 
The showstopper of the night was a three-way 
improvisation between the 
three youngest dancers, rising stars Michelle Dorrance, 
Chloe Arnold, 
and Josette Wiggan. Dorrance's furious speed, Arnold's 
hard-hitting 
exuberance, and Wiggan's nimbleness brought the 
audience to their 
feet. Despite the diversity of styles and ages 
showcased at the 
concert, it was a true demonstration of what Deborah 
Mitchell called 
"sisters in rhythm." 
 
http://exploredance.com/article.htm?id=2132 
==================================== 
 
 
Don't miss the 
Winter 
Tap 
JAMboree! 
Martin "Tre" Dumas, Director 
this weekend, Feb. 15-17 
 
My name is Martin "TRE" Dumas III and I'm a new 
Artistic Associate 
with the Chicago Human Rhythm Project, and the new 
Director of the 
annual Winter Tap JAMboree. I'd like to invite you to 
an amazing 
weekend of classes and activities culminating in a 
scintillating 
concert performance that will feature some of the best 
tap dancers in 
the world, including CHRP's founder, Lane Alexander, 
Chicago's own 
Jumaane Taylor and (by way of Calgary) Lisa La Touche, 
as well as 
L.A.s' Gregg Russell. And all the way from Spain, we 
are proud to 
welcome Guillem Alonso. Internationally renowned tap 
companies BAM! 
and Jus'LisTeN as well as several prominent youth 
companies including 
Chicago's Footprints Tap Ensemble, Soul 2 Soles and The 
Tappin' Soles 
of Detroit. Lastly, we welcome a new band this year. 
Known for their 
smooth grooves,searing solos and lush chords we're 
proud to present 
Detour Jazfunk. I'll be around the whole weekend and I 
look forward to 
meeting you and hearing what you think. Please help us 
spread the 
rhythm by forwarding this announcement to your friends 
and family. 
 
Yours In Time, 
Martin "TRE" Dumas III 
 
Location 
Beverly Arts Center 
2407 W. 111th St. 
Chicago, IL 
Directions 
 
For more information: http://www.chicagotap.org/ 
The weekend features: 
• 3 days of Master Classes with faculty 
from Barcelona, LA and Chicago* 
• The 8th Annual Tap OFF! Competition 
• The Leo Harris Scholarship Audition 
• Saturday evening Tap Jam 
• The 4th Annual Winter Tap JAMboree! 
Concert 
 
*We still have limited availability in a number of our 
master classes, 
so register today to reserve your spot. 
 
All registration forms can be downloaded and faxed to 
our office (773-296-0968). 
====================================  
 
 
 
*EAST COAST* 
NEWS UPDATES & EVENTS 
 
------------------------------------------------------------ 
 
 
W-L-U-V Show and Ticket Information!!!! 
 
IN IT FOR LIFE PRODUCTIONS PRESENTS... 
 
W-L-U-V 
Directed and Choreographed by Chris Scott 
 
Saturday March 8th, 8PM 
New World Stages, Stage 1 
340 West 50th Street (between 8th & 9th Ave.) 
 
Tickets WILL be available at the theatre box office and at 
www.telecharge.com starting Friday Feb. 15th!!!! 
 
### 
 
Christopher Scott was featured in Dance Magazine as one of 
the Up and Coming tap dancers in the industry today (2003). 
As a performer, Christopher was a dancer in Jason Samuels 
Smith’s Emmy Award Winning number of the 2003 Jerry 
Lewis/MDA Telethon. Other television appearances include 
the 25th Anniversary Gala Performance of the Kennedy 
Center, the Tonight Show with Jay Leno and Vibe with Sinbad 
as a featured dancer. 
 
Christopher was a principal dancer in the touring company 
of the Award Winning show Bring In Da’Noise, Bring In 
Da’Funk and was featured in Debbie Allen’s productions of 
Soul Possessed in Washington D.C. and at the Alliance 
Theatre in Atlanta Georgia. He has acted as well as danced 
in the productions of “Love” at the Tribecca Studios and 
has also performed at The Apollo and the Russian Tea Room. 
Other performances include “A Salute to The Cotton Club”, 
“A Winter Explosion - Alvin Ailey”, Derrick Grant’s “A 
Night Out” in both New York City and California. 
 
As an instructor, Christopher has taught in both the 2003 
and 2004 Annual Los Angeles Tap Festivals, UCLA, Yale 
University, Philadelphia School of the Performing Arts, 
High Schools of Performing Arts in Washington, DC and Los 
Angeles, Boces Cultural Arts Center, the Debbie Allen Dance 
Academy, and New York City’s acclaimed Broadway Dance 
Center. He has also taught as a master instructor for Dance 
Masters of America. Christopher is currently on the faculty 
of Variations Dance Studio in Long Island, NY and continues 
to travel abroad as a special guest performer & instructor. 
 
- Bio Courtesy of Divine Rhythm Productions 
 
--------------------------- 
 
Welcome to Minton's Playhouse in Harlem NYC 
Marvel Allen & Omar Edwards , Tapping into the music 
 
 
Appearing At 
Minton's Playhouse 
Legendary Birthplace of Modern Jazz 
210 W 118th Street 
(Adam Clayton Powell (7th Ave) / St. Nicholas Ave.) 
(212) 864-8346 
Every Tuesday 
Sets are 9 p.m., 10:30 PM and 12:30 a.m. 
Two drink minimum and $10 music charge 
 
 
Welcome to Minton's. The classic '30s Harlem jazz house 
that 
discovered legends like Charlie Parker, Miles Davis, 
Dizzy Gillespie 
and Thelonious Monk. 
Shuttered down in '74 (after an unfortunate foray into 
disco), 
Minton's is reopened with its original giant neon sign 
blazing on the 
corner, and small stage dusted off and ready to make 
more history. 
Inside, settle in and order a Sugar Hill Golden Ale 
from Veronica, and 
kick back with the rest of the diverse, laid-back 
crowd: Japanese 
businessmen, hipsters, and, of course, old school 
Minton's patrons in 
suits and cravats (with trumpets tucked under their 
arms). 
What's Doing at Minton's 
. The house bands blow some great jazz (like Eli and 
the Organizers, 
who roll in with an old wooden organ on a dolly), but 
make sure to 
stay on for their famous after-hours jam sessions, when 
things get a 
little crazy like they did back in the day. Guys in the 
audience start 
jumping onstage with their own instruments and doing 
their thing (if 
you're getting ideas, we hope your "thing" doesn't 
involve a kazoo and 
scatting). 
 
### 
 
Omar Edwards started dancing at the age of 13 when he 
saw his cousin Savion Glover 
perform in the movie “Tap”. He soon began to learn 
from dancers such as Van Porter, 
Marie Brooks and Henry LeTang. At the age of 16,Omar 
Edwards formed a group Toe 
Jamm with Daniel Wooten,Jr. They appeared 13 times on 
Ed McMahon’s Star Search 
and won the grand prize. The duo’s success led them to 
numerous appearances on 
national television shows and an extensive tour 
throughout Europe and Japan.  
 
In 1993, Omar performed throughout the two-year 
international tour of the Broadway hit 
Black and Blue, and then joined the Broadway Cast of 
Bring In ‘Da Noise, Bring In ‘Da 
Funk. An integral member of Savion Glover’s dance 
company N.Y.O.T.S., he performed 
in Savion Glover’s Downtown live communication. He has 
performed with major stars, 
from Buster Brown to Bunny Briggs and recently toured 
Europe with blues legend Linda 
Hopkins in her shows Wild Woman Blues.  

 
Omar completed his first roles in the Motion pictures 
"CAMP" and "The Run" and he can be seen every Saturday 
night on NBC's 
Showtime at the Apollo. Mr. Edwards also produced and 
recorded two Tap Dance albums. His first album "Tap  
Dancin' is Music" has sold over 5,000 copies independently. 
He recently released his second album "Steel Music". Omar 
continues to tour his one man dance concerts through out 
the United States 
and overseas averaging at least 150 Tap shows a year. 
Most recently, he opened his own Tap Dance and Rehearsal 
Studio in Harlem, April 2006 along with Dormeshia 
Sumbry-Edwards. 
 
==================================== 
 
Dendê & Hahahaes 
Original Afro-Brazilian Music 
 
Saturday, February 16th 
8:30pm - 1:30am 
SOBs 
204 Varick Street (@ Houston) 
212-243-4940 
www.sobs.com 
 
Formed in 2002, Hãhãhães is named after the Indian 
tribe 
Pataxó-Hãhãhães that once inhabited the city of 
Salvador in Bahia, 
Brazil. Lead by master Afro-Brazilian percussionist 
Dendê, the beat is 
always central, but it is tempered by thought provoking 
lyrics and 
sweet melodies. Comprised of musicians of various 
backgrounds, the 
groups' diversity permeates its music with rhythms 
ranging from 
Nigerian Afrobeat to Brazilian Samba to Cuban Pilón. 
 
About Dendê 
A former member of Timbalada, Dendê has been 
performing 
professionally since the age of 14. With Timbalada, 
Dendê toured all 
over Brazil, Europe and Asia, appeared on various 
television shows and 
has performed and recorded with such artists as Marisa 
Monte, Gilberto 
Gil, Carlinhos Brown, Yvette Sangalo and Sepultura. 
Having left Brazil 
in 2001, Dendê now lives in New York, performing and 
recording with 
his groups Hãhãhães, an Afro-Brazilian/Afro-Cuban band, 
Arrastão an 
Afro-Brazilian percussion band and Ologundê, an 
Afro-Brazilian 
folkloric music and dance group. With these groups he 
has toured all 
over the US and Europe. In addition to his own work, he 
has his 
performed and recorded with artists such as Mongo 
Santamaría, Jerry 
Gonzales, Daniel Moreno, Tico da Costa, Vinicius 
Cantuária and 
Alessandra Belloni. Dendê also teaches Afro-Brazilian 
percussion in 
the New York City area. 
 
The Band 
Dende: percussion and vocals 
Leslie: percussion and vocals 
Jean-Marie: percussion 
Adriano Santos: drums 
Bina Coquet: guitar 
Ze Grey: bass 
Miho Nobuzane: keyboard 
Ze Luis: sax and flute 
==================================== 
 
Hey Chalk Fans! 
 
The Chalks are celebrating 90 years in the business 
(that's 30 x 3) 
in a city near you! Tribute performances, party games, 
Trailer Park Bark... 
That settles it - you know you're gonna be there. 
 
The Chalks Jamtastic Granite Anniversary Tour 
NYC 
Thursday, Feb. 28th 
9:30 pm 
Laurie Beechman Theatre @ The Westbank Cafe 
207 W. 42nd St (just west of 9th Ave) 
$10 cover / $15 food & beverage minimum 
reservations suggested: 212.695.6909 
 
PLUS*** visit www.thechalks.com and download a new 
song. It's Free*** 
==================================== 
 
February 14, 2008 
 
Dear VLA Friends and Members, 
 
VLA is excited to offer the following program to 
artists and attorneys: 
 
Self Defense for Writers and Filmmakers* 
 
with Mark Litwak, Esq. 
 
Saturday, April 26, 2008: 10am -- 5pm 
 
Manhattan location TBA 
 
*Eight (8) New York CLE "Areas of Professional 
Practice" credits 
available (qualifying as "transitional" for newly 
admitted attorneys) 
 
Arists and Full-Time Students: $100 if registering on 
or before 
Friday, March 28th; $125 after March 28th. 
 
Attorneys (including 8 CLE credits): $275 if 
registering on or before 
Friday, March 28th; $375 after March 28th. 
 
All registration fees are nonrefundable. 
 
Writers and filmmakers need to understand their legal 
rights and how 
to defend themselves from those who may seek to exploit 
them. 
Production companies and distributors often know all 
the tricks of the 
trade, while writers and filmmakers know little about 
how to protect 
themselves. 
 
This seminar explains how writers and filmmakers can 
prevent problems 
from arising by properly securing underlying rights, 
and by 
encouraging the other party to live up to agreements by 
adding 
performance incentives, default penalties and 
arbitration clauses. In 
the event of a dispute, participants learn what 
remedies are available 
to enforce their rights. 
 
Related topics include creative approvals, typical 
compensation and 
terms of studio contracts, merchandising deals, and 
negotiating 
tactics and strategies. The seminar includes more than 
100 pages of 
useful contracts, checklists, forms and materials. 
 
Speaker: Mark Litwak is a veteran entertainment 
attorney with offices 
in Beverly Hills, California. His practice includes 
work in the areas 
of copyright, trademark, contract, multimedia law, 
intellectual 
property, and book publishing. Litwak also functions as 
a Producer's 
Rep, assisting filmmakers in the financing, marketing 
and distribution 
of their films. For more information about Mark Litwak, 
please see 
www.marklitwak.com. 
 
To register, please complete this registration form. 
 
Since 1969, Volunteer Lawyers for the Arts has been 
the leading 
provider of pro bono legal services, mediation 
services, educational 
programs and publications, and advocacy to the arts community in New 
York. The first arts-related legal aid organization, VLA is the model 
for similar organizations around the world. For more information about 
Volunteer Lawyers for the Arts, please see www.vlany.org. 
 
Sincerely, 
 
Ben 
Benjamin J. Brandow 
email: bbrandow@vlany.org 
phone: 212.319.2787 x16 
web: http://www.vlany.org 
==================================== 
 
EIE - The Show Biz Directory - Now Available Online 
 
Do you need a: 
 
STAGE MANAGER, PRODUCER, DIRECTOR, ACTOR, EDITOR 
WRITER, COMPOSER, LIGHTING DESIGNER, LYRICIST, ENTERTAINMENT LAWYER, 
SOUND DESIGNER, PUBLICIST, INTERN, CAMERA OPERATOR, GRIP 
 
OR ANYONE ELSE IN THE ENTERTAINMENT INDUSTRY? 
 
Check out: 
 
TheShowBizDirectory.com 
 
FREE TO SEARCH! 
 
Powered by the Entertainment Industry Expo 
==================================== 
 
 
La Clave: Issue 21 
 
February 14, 2008 Happy V-Day! 
 
Salsa Fundamentals...Preservation, Education, Evolution! 
Salsa Fundamentals LLC is a full service dance instruction and 
entertainment company. We offer a range of services to fit all your 
dance and entertainment needs. Offerings include: choreography for 
weddings and sweet 15/16, corporate and private events, school based 
programs, cultural education/sensitivity seminars, demonstrations, and 
of course group/private classes for children and adults. Have a 
special need? Give us a call and lets work it out. Let us be your 
choice for professional and quality dance instruction services. 
This Issue: 
-Still Time To Join Mid-Session! 
-Partial Spring Session Schedule Now Online 
-SF Event Futurecast for 2008 
-Say Salsa?: What's old is new, but are we learning from our past? 
…………………………………. 
 
Salsa Fundamentals LLC Services 
New Winter Mid-Session Class. 
There is still time and spots for our Mid-Session Beginners Salsa 
Class! Tonight will be the last night to join. $120 individual/$230 
per pair and includes 10 progressive classes, study guide, and music 
cd for practice. 
Class Location: 
Fuller Movement Center 
1477 Park St. 2nd Fl 
Hartford, CT 
Parking and Entrance around back on Bartholomew St. 
Class Time: 7:30 pm - 9:00 pm 
Register now for this class onlinehere 
 
 
 
Spring Session 2008 
Our Spring Session is scheduled to begin the week of March 24-29, 2008. 
A partial schedule of Salsa classes and new classes can be found on 
our website. A full schedule of classes, new locations, and more will 
be available in 2 weeks. 
Register now for this class onlinehere 
 
 
SF Event Futurecast for 2008 
This will be the area to let you know about Salsa related events and 
activities hosted by Salsa Fundamentals and others: 
-Rhythmic Flava: A Cultural Dance Explosion 
Arthur Murray Studios, 30 Wintonbury Mall, Bloomfield 
Feb. 16, 2008 1 pm - 4 pm. 
Come down and enjoy a host of dance workshops and performances ranging 
from Ballroom, Hip-Hop, Soca, Salsa Fundamentals, Interpretive Dance, 
and of course African Rhythm. Great mix of live and recorded music. 
Fee $40 per person. Info call FLYY Fitness @860-778-1862 
-El Gran Combo, Norwalk Concert Hall: Sat. Feb. 16, 2008 
-Winter Blue Social: Fri, March 14, 2008 
-Luna's Kings Of Comedy : Fri, April 4, 2008 
-Boston Salsa Congress: April 4-6, 2008 
-Return of the Bus Trip to NYC: April 2008 
-CT Salsa Fest, Stamford: May 30-31, 2008 
For more information email or call. 
 
Say Salsa! 
This section is like our commentary section, but this year is about 
educating and being educated. Thus if you have something to share or 
view...Say Salsa! 
What's old is new, but are we learning from our past? 
I remember an older Puerto Rican couple coming into class a few years 
ago and telling me that they had come to class because they were told 
they didn't know how to dance. A few years later I heard the same from 
a male who had recently come from New York, where he danced Salsa all 
his life. Just recently in explaining a step in class a female stated 
"oh my God I have been doing it wrong all these years!" 
Mi gente...STOP! LISTEN!! THINK!!! Where did Salsa begin? Where did 
you first learn? Who taught you your first step? 
Although there are many stories about its origin the blood line is 
West Africa to Cuba, Cuba to Puerto Rico, and then Puerto Rico to the 
World! The Afro-Cuban Guaguanco, which is purely based on 
interpretation of the drum, was danced individually (no closed 
position). The Plena of Puerto Rico used partnering, but even then it 
wasn't the formalized dancing we see today. Many of you have been 
dancing Salsa way before you knew it and have learned a tradtion that 
has been pased down for years. The moves, the feeling, the 
understanding are part of a culture that has been shared. 
Point? Formalized dancing is great to watch as it is inspiring and 
entertaining, still Salsa De Calle is where its at! No formalities, no 
judges, no awards, no fear, no resentment, no competition. Caderas 
(hips), hombros (shoulders), puños (fists), sonrisas (smiles) were and 
are the essentials of Salsa. Thus do what you want and have a great 
time doing it. The only place where Salsa should be judged as right 
and wrong is in Ballroom (and even then they don't have the right) For 
the rest of us take your classes, learn from many, buy all the music 
you can, but in the end DANCE LIKE YOU! 
Comments rey@trysalsa.com 
 
 
email: rey@trysalsa.com 
phone: 860-212-0350 
web: http://www.trysalsa.com 
================================= 
 
News from Little Billy Entertainment 
 
Word on the Street... 
 
During a recent Q&A, I informed a group of students that I don't like 
to refer to Drumadics as a "band", but instead I consider us to be a 
"community". With varied cultural backgrounds and different versions 
of the New York inner-city experience, we are a group of New Yorkers 
united by our passion for art and performance. Despite all of our 
differences, we embrace our similarities. 
 
Performing in the subway has shown me that Drumadics is a microcosm of 
the New York City community thus inspiring me to create a theater 
production that brings to stage the story, the experience and the 
conversation behind the people of this great city. 
 
Drumadics: American Culture Defined will be a presentation of real 
people and real life. I've taken the elements most familiar to 
everyone - rhythm, movement and words - to create a theatrical 
experience that entertains while challenging artists and audiences 
alike to inquire more in-depth about who they are as New Yorkers, 
Americans and global citizens. 
 
I want people to leave the Drumadics experience with a greater 
connection to their community, to the people in their surroundings, 
and to the art of live performance. There is a great story to tell 
about the culture of the American inner-city that has a tendency to be 
overlooked. 
 
I am excited to enter into the development and production of what I 
know will be a major production for our times. I ask that you to 
support me along the way. 
 
 
 
Respectfully, 
 
William B. Johnson 
www.littlebillyent.org 
……………………………. 
 
 
Little Billy Entertainment's Drumadics theatrical production awarded a 
grant from LMCC 
 
 
Congratulations to our team! Little Billy Entertainment is excited to 
announce that we have been awarded an initial grant from the Lower 
Manhattan Cultural Council for William B. Johnson's theater production 
Drumadics: American Culture Defined. 
 
 
This grant kicks off an exciting fundraising campaign for the 
production and presentation of this great new work. Find out how you 
can be a part of the movement, contact info@littlebillyent.org today. 
……………………………. 
 
Drumadics heads to the NYC Schools 
Your school could be next! 
 
Little Billy Entertainment and Drumadics recently presented a dynamic 
hour of music and dialogue to an enthused group of middle schoolers 
during a January performance at I.S. 195/Roberto Clemento School in 
Harlem through Harlem Stage/Aaron Davis Hall, Inc.'s HS in the Schools 
program. Little Billy Entertainment has also been selected to conduct 
two twelve week dance residences at A. Philip Randolph High School, 
scheduled to begin this month. 
 
If you are looking for high energy performances and exposure to a 
cultural mix of music and dance, contact us today to bring outstanding 
teaching artists and/or Drumadics to your school. For more 
information please email info@littlebillyent.org. 
……………………………. 
Reach Thousands - Advertise with Drumadics! 
 
Do you want to reach over 400,000 individuals per week? Advertise 
your company logo on the new Drumadics subway banner. 
 
Drumadics is selling promotional space on their new subway banner. 
Your logo/company information will be seen by thousands of New York 
City commuters, multiple times per week, between the hours of 3 to 9 
pm, at NYC's most populated stations including Penn Station, 34th 
Street/Herald's Square, 42nd Street/Times Square, Grand Central 
Station and 14th Street/Union Square. 
 
Contact drumadics@littlebillyent.org 
for more information! 
 
Deadline for April 1st Banner: March 8, 2008 
 
 
VISIT US ONLINE: http://www.littlebillyent.org/ 
===================================== 
 
*MID-WEST * 
NEWS UPDATES & EVENTS 
------------------------------------------------------------ 
 
M.A.D.D. Rhythms performing at The Chicago International Salsa 
Congress Thursday, Feb. 14 and Sat. Feb 16 8pm 
 
CONTACT: 
 
Rosita Ragin 
 
Chicago Cultural Alliance, Ltd. 
 
773/206-5438/English or (312) 446-1909/Espan*ol 
 
simplymambo@msn.com 
 
www.chicagosalsacongress.com 
 
Chicago International Salsa Congress Unites Cultures and Showcases 
Chicago's Roots to Latin Music and Dance for the 7th year 
 
"THE HEATWAVE SIZZLES again! February 2008… with your invitation to 
the seventh annual Chicago International Salsa Congress, an extended 
weekend of music and dance for knowledgeable and novice Latin music 
and dance Lovers of all ages" 
 
This is Chicago's premier Latin/Afro-Caribbean music, dance and 
cultural immersion event! Don't miss this opportunity to experience 
exquisite performances by the world's best Latin dancers and 
instructors who teach over 50 dance workshops over 3 days. Always 
wanted to but never attended before? Here's your chance! Buff up your 
cultural competency quotient and have a fabulous winter respite. Join 
over 2500 daily attendees for an extended winter weekend that you will 
never forget! 
 
 
February 14-17, 2008 
 
The 7th Annual Chicago International Salsa Congress 
 
Westin O'Hare 
 
6100 North River Road 
• The congress full all-access pass includes 4 fabulous nights and 3 
jam-packed days of outstanding Latin dance and music all for YOUR 
enjoyment. 
• For the past 6 years, the CISC has unfailingly provided the most 
celebrated Latin music bands and artists who all assemble on this one 
special weekend in Chicago. 
• Impress yourself at the CISC. You choose from 50 different dance 
workshops taught by outstanding international, national and local 
instructors. Offered at the beginner, intermediate and advance 
levels, three to four workshops run concurrently – choose the ones you 
like best at any time. Salsa, mambo, cha-cha-cha, rueda casino, Cuban 
rumba, bomba y plena and Salsarobics and Zumba workshops featuring 
everything you ever wanted to know about Latin/Afro Cuban/Caribbean 
rhythms. 
• De-stress yourself at the CISC by not missing even one of the 7 
Spectacular afternoon or evening performances on the main stage! Each 
day at 4:00 pm, the Emerging Artist Showcase features rising star 
performers, the best performance is invited to reprise their act in 
the evening show. 
• Express yourself at the CISC. Show your moves until 3:00 am in the 
elegant Grand Ballroom. Like variety? Latin Hustle, tango, meringue 
or bachata in our second ballroom, you can do it all at the 2008 CISC! 
• Discover the history and origins of Latin and Afro-Carribbean 
music and culture through media presentations, lecture, and discussion 
panel workshops or participate in an interactive percussion workshop. 
• Applaud the lifetime contributions of nationally and 
internationally known dancers, musicians and keepers of the cultural 
flame celebrated through the CISC's Living Legends Awards. 
• Take home "impossible to find" treasures of dance and workout 
apparel, shoes, instruction videos, CDs, jewelry, artwork, 
accessories, health care and beauty products from an array of CISC 
vendors. 
• Want more? Play in the indoor swimming pool, workout in the gym, 
play basketball, get a stress reducing massage or just sleep-in the 
Westin's heavenly bed until you revive and start all over again! The 
Chicago International Salsa Congress – a non-stop extended weekend 
where you can come, see, learn, do! 
 
 
LIVE MUSIC* 
 
For each of the four nights, we feature some of the world's greatest 
salsa musicians and soneros. This year's music headliners will be 
announced at our CISC press party on January 14 at Delacosta's, 333 
Grand Avenue, Chicago, IL. Please join us, see performances and even 
learn to mambo/salsa! 
 
 
Official Congress disc jockeys*: Alberto "Escandalo" Gomez, Edgar 
"Mambo King" Marroquin, Luis "Rollin" Rivera, Roberto "DJ Resonance" 
Ayala and local radio personalities such as Miguel Angel Vazquez "El 
Mostro" will provide the exciting musical landscape around the live 
music for the Chicago Congress. You will find a myriad of 
opportunities to try out newly learned dance moves, steps and shines 
or just dance the night away with your own special partner or a newly 
found friend. 
 
 
 
WORKSHOPS AND INSTRUCTORS* 
 
From 9:00 am to 4:00 pm each day, we offer the world's best dance 
instructors in 50 dance workshops at all levels from 
beginner/intermediate to advanced. Workshops feature famed instructors 
like Maria Torres of NY, choreographer for the films "El Cantante" and 
"Idlewild", the Broadway Show "Swing" and a recent coach on "So You 
Think You can Dance?" to Tito and Vanessa direct from Puerto Rico. Go 
to www.chicagosalsacongress.com for a full listing. 
 
SPECTACULAR SHOWS 
 
You will be thrilled to see the spectacular nightly performances at 
9:00 pm on the main stage featuring the worlds most sought after 
dancers! The Congress' celebrity emcees, Zoraida Sambolin, 
Anchor/Reporter of NBC5 Television Network, Tsi-Tsi Romo and radio 
personality, Ray Rubio are invited to introduce the evening's 
performances. 
 
VENDORS 
 
Exciting opportunities to view and purchase the very latest dance 
instruction and music videos, audio selections, dancewear, exercise 
wear, dance shoes, jewelry, health care and relaxation and well care 
products will all be available to you through an exciting array of 
vendors from all over the world. 
 
REGISTRATION-PASSES/TICKETS: on-line at www.chicagosalsacongress.com 
 
Night Tickets available at Disco City, Lily's Record Shop, J & R 
Record Shop and at selected Latin Dance Studios. 
 
*Program partially confirmed, subject to change 
 
================================= 
 
FRIDAY, FEB. 15th is the NEW DATE FOR THE HIP-HOP DETOXX at the 
Chicago Urban League! featuring M.A.D.D. Rhythms 
 
ASA & P.E.A.C.E.! 
 
PLEASE PASS THE WORD 
 
THAT SINCE THE HHD was 
 
POSTPONED LAST FRIDAY 
 
DUE TO WEATHER, 
 
WE ARE SCHEDULING the 
 
HIP-HOP DETOXX for 
 
5:30 P.M. at the Chicago Urban League 
4510 S. Michigan Ave. 
 
"BE THE CHANGE Part 1b" 
Hip-Hop Detoxx Experience 
 
Peace B Still! 
 
Your Brother & Servant In The Cause Of Truth & Liberation 
Brother Enoch "N.O.C." Muhammad 
Visit: www.myspace.com/hiphopdetoxx 
================================= 
 
 
*WEST COAST* 
NEWS UPDATES & EVENTS 
------------------------------------------------------------ 
 
TICKETS ON SALE NOW FOR TAPESTRY'S 'THE SOULS OF OUR FEET" 
 
FOR IMMEDIATE RELEASE 
Contact: Andrea Bloukos 
Phone: 512-732-2602 
Email: dmsandrea@aol.com 
Stop Date: March 12, 2008 
High Resolution Images Available Upon Request 
Attached Photo: Arthur Duncan / Photographer: Carol Felauer 
 
 
The Legendary Tap Master ARTHUR DUNCAN (The Lawrence Welk Show) 
Joins 
Tapestry Dance Company's THE SOULS OF OUR FEET 2008! 
 
What: The premiere of The Souls of Our Feet 2008 / More Celebrations 
of American Tap Dance 
 
(Austin, TX) To standing ovations, Tapestry Dance Company (Austin's 
own award winning professional dance company) is delivering flying 
feet from the past to present as part of the National Endowment for 
the Arts: American Masterpieces Touring Roster. The Souls of Our Feet 
(voted BEST DANCE CONCERT by the Austin Critics Table Awards - 2007) 
is making a mark across the country bringing American tap dance to 
numerous U.S. cities this season! 
 
With generous grants from the National Endowment for the Arts: 
American Masterpieces (through the New England Foundation of the Arts) 
and a $40,000 gift from The Hegardt Foundation, Tapestry premieres the 
second installment of this fast paced collection of footwork adding 
more of the best of tap dance masterpieces from Fred Astaire & Ginger 
Rogers to the contemporary master work of 
Brenda Bufalino & The American Tap Dance Orchestra! 
 
Join TDC Artistic Director Acia Gray, Broadway's Dianne Walker and the 
swingin' Eddie Hobizal Jazz Trio as The Souls of Our Feet welcomes the 
legendary Arthur Duncan of The Lawrence Welk Show as the tour's newest 
addition! 
 
 
When: March 7th - 9th, 2008 
Where: Helm Fine Arts Center - Temple Theatre / Austin, TX 
St. Stephen's Episcopal School - 2900 Bunny Run 
Time: Friday & Saturday 8pm / Saturday & Sunday 2:00pm 
($30) - 1/2 price available for Students & Seniors 
 
For Tickets, Group Sales & Information 512-773-7827 
 
www.tapestry.org 
http://web.mac.com/Soulsfeet 
================================= 
 
THREE'S COMPANY 
 
Caroline Calouche & Co. 
Artistic Director: Caroline Calouche 
Gastonia, NC 
 
Contemporary Dance/Fort Worth 
Artistic Director: Kerry Kreiman 
Forth Worth, TX 
 
KDH Dance 
Artistic Director: Kathy Hamrick 
Austin, TX 
 
March 28th at 8PM 
 
March 29th at 2PM, 8PM 
 
Sanders Theater 
Fort Worth Community Arts Center 
================================= 
 
Check out the movie "Lifted" at the Pan African Film Festival! 
 
 
*Look out for New York Artist Kahiry Bess!  
 
 
"Lifted is a movie about Dance and Tap. 
 
Director: Randall Dottin 
Language: English 
Country: US 
Producer: Joames Prosper 
Genre: Short 
Awards: Best Short, Roxbury Film Festival 
Screenwriter: Randall Dottin 
Costume: Nikki Ellis 
Dir. of Photography: John Dabrowski 
Editor: Derek Mok 
Sound: Steve Slanec & Skywalker Sound 
Casting: Liz Ortiz Mackes 
Set Design: Chad Nielsen 
Duration: 30min. 
Year: 2007 
Screening Time: 02/17/2008 - 1:35pm 
 
Description: 
A mother/dancer meets her spiritual guardian on a subway station 
platform after she abandons her child. Trapped in the station, she 
must find a way to get out but her guardian won't allow it unless she 
is able to answer the question "Why does your son dance?" Q&A 
================================= 
www.divinerhythmproductions.com 
EMPOWER YOUR SOLE!

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